

90-ball bingo — the game every UK park guest already knows. Loyal, books out the bingo room.
Bingo Beats pulls a younger, bigger, livelier crowd that would never sit a numbers night.
Two ticketed games instead of one — roughly double the nightly sales into the pot.
The linked layer is why a fifteen-park client licenses all fifteen — no single-venue system can answer it.
Levy on every numbers strip, estate-wide.
Music cards carry the same levy — a second tributary.
Fills the room early, full bar — levies into the pot from the first song.
The park's own host calls two or three standard cash games. No network needed.
The central feed takes the screen — numbers or music — for the shared pot.
A shout pauses the draw across the country; the pot pays, or rolls to tomorrow.
Pays a full house in ≤ N calls — N starts tight (38) and creeps +1 each session until won. Either format can trigger it, and the winner takes it on top of the normal prize.
At £20,000 the next session is a must-drop. With two formats feeding it, the ceiling arrives twice as fast — more "the pot MUST go" headline nights per season.
The progressive hits its £20k must-drop ceiling in roughly half the time — bigger pots, more often, and a 10% platform fee on every ticket sold across both formats.

Band-linked tickets get an auto safety net: an unclaimed win triggers an escalating, comedic zone-level callout — never a name. Still unclaimed, it's banked against the ticket with a nudge to the guest's profile.
ID checked once at issue. Band-linked cash sales clear instantly on either format; the colour is the across-the-room human check.
A distinct colour staff see at a glance; band-linked cash sales are hard-blocked. Family no-stakes prize bingo stays open to all ages, separately.
This evolves the locked spec. Spec 19 §9 still reads music bingo as no-stakes — the live design already treats it as a real-money co-star on the shared pot. Formalising that (a v0.4 update) is the call this deck asks the founders to greenlight.
Covers the composition — songwriters & publishers. Required wherever a track plays in public.
Covers the recording — labels & performers. PPL PRS Ltd issues the joint licence.
The draw log already records every track, in order, timestamped — the usage report, generated for free.
Pre-cleared themed playlists — a park can never accidentally play an unlicensed track on a cash game.
Bingo operating licence — large park groups typically already hold one. Covers both formats.
Gambling software operating licence (GA 2005 §41). A months-long application — start it first.
Whether the linked layer needs its own entity — the National Bingo Game is the precedent.
PRS + PPL for the broadcast music game — the only licence line the co-star model adds.
A cloud Draw Authority generates number order and playlist order from a GC-certified RNG.
The full draw is hash-committed at sales-close, released call-by-call. Tamper-proof, provable post-hoc.
Every sale, claim, payout and track is a ULID event — the audit trail that also closes the books.
A WAN drop degrades to a house game, never a dead room. Every payout idempotent.

Both draws, jackpot simulator, claim & sliding-N state machine, ledger & settlement, signed tickets, commit-then-call, print pipeline — prototyped.
Gambling solicitor, GB software licence, linked-game operator structure, certified RNG, player-funds protection — plus PRS/PPL music rights.
The Live-Broadcast mega-event format and the maritime adaptation — designed, waiting their turn. The engine carries over unchanged.
Make music bingo a second real-money format on the shared pot — the one decision that sets everything in motion.
Engage the gambling solicitor and a music-rights specialist in parallel; start the GB software licence — the long pole.
One park, one pot: a numbers night and a Bingo Beats night sharing the jackpot, end to end.